You may be right. Disney sent a cease and desist to Google right before this "partnership" with OpenAI was announced. Seems like Disney wants to integrate and control AI using their IP on their own terms.
Despite writing about dark topics - apocalyptic events, oppressed populations, the failures of heroes, etc. - he is missing the edge that you get from other authors who write similar stories.
You know what, I think you're onto something here. I don't need Scadrial/Cosmere to be the darkest and edgiest fantasy world ever, and a lot of fantasy readers read for escapism. But there is a certain friction you expect in the genre that just isn't there for me in the first Mistborn trilogy, or the Stormlight books I read. Again, I can't quantify it (and maybe I don't have to), but the best example of my feeling is when I recall reading The Magician's Nephew with my younger cousin around the same time that I started the Stormlight Archive, and man was I way more invested in Diggory and Polly's reactions to the dystopias they were visiting than who/whatever was screwing with Kal again (free my boy from suffering, Sanderson).
I had an English teacher that had us read The Prince along with the Life of Castruccio as a parody of the Medici/Italian ruling class, and how it made Italy worse as a kingdom. Much more enjoyable that way tbh. Fantastic teacher, I hope she's living the life in retirement.
This is probably divisive here, but I just...do not care for Brandon Sanderson. As someone who has read a lot of fantasy before getting into him, he's always praised for having a coherent magic system, but that isn't really enough to make it an enjoyable fantasy story. There's just a lack of.... something in his writing (and I've tried to read Mistborn and his shorts) that I have a hard time quantifying to others.
Also I was really surprised that I found his writing weirdly bland in the same way I found Stephanie Meyer's writing bland, considering that they write completely different genres. Then I found out they were both had Mormon upbringings, and I can kind of see why I found the blandness similar.
You will not be surprised to learn that the author, Eliezer Yudkowsky, started a cult called LessWrong, which had members that would spin off into ANOTHER (more murder-y) cult, the Zizians.
I bought the illustrated version in high school because I was taking an art history class and liked looking at the pretty paintings. The story itself did not leave any impression on me lol
Ok, let me clarify then: I'm black. It comes from American black culture.
Anyone who watches a Kai Cenat stream would immediately clock it just by his and his friend's speech patterns. This is why reading a Wikipedia line isn't really enough to understand the breadth of culture. See: everyone in this thread who is making fun of Gen Z/ Gen Aloha/"young people" slang while simultaneously not understanding it actually developed a lot from black and gay culture of Millennials and Gen X globally, and has become mainstream due to these communities becoming more prominent in the media landscape.
Sorry to write a mini-sociological essay, but I don't care for the "it's not that deep" aspect of Lemmy when it comes to non-STEM popular culture stuff. It's pretty deep (and interesting) actually.
I thought that they were joking, as stuff like this also happens in open software and can take ages to fix (if it's even kept up to date for a lot of niche software), and most of us use SOME sort proprietary software even if there's a bigger % of open source enthusiasts on Lemmy.
That's why the Android/iOS comment was even more out of place.
But then again, this is Lemmy...it might have been literal...
So...4th in the Constructors and 5th+6th in the Driver's Championships?