cannedtuna

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cannedtuna @lemmy.world 2w ago

Remember when malwarebytes was like… actually good and the go to for free anti virus?

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cannedtuna @lemmy.world 3w ago

Which one did they turn into an AI?

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cannedtuna @lemmy.world 3w ago

Yeah I feel like this is getting close to violating anti trust laws like when they got into trouble with Microsoft Explorer.

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cannedtuna @lemmy.world 3w ago

Ye ‘ol Fail Army or whatever the fuck they call that stream of content now

cannedtuna @lemmy.world 3w ago

Nice find

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cannedtuna @lemmy.world 3w ago

It’s fake. Here’s a politifact (yes, really) article about it. And here’s a breakdown of how this came to be

cannedtuna @lemmy.world 3w ago

The way he draws. 🤌

cannedtuna @lemmy.world 3w ago

Please note that I’m not applying personal opinion to the matter, rather just trying to provide the directors own context because it is their own work.

Also JK Rowling is a hack.

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cannedtuna @lemmy.world 3w ago

No, see it was meant as a threat.

cannedtuna @lemmy.world 3w ago

Referring to this?

cannedtuna @lemmy.world 3w ago

Yeah. People often try interpret creative works in unique ways that the author didn’t intend. Doesn’t make the experience and impact on the reader/viewer any less important.

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cannedtuna @lemmy.world 3w ago

Except:

Speaking with Them: Wachowski clarifies her previous comments, explaining that The Matrix was not intended to be a trans allegory when it was in production. While she acknowledges the movie’s strong trans themes, she says the ideas came about naturally, without intention on her or co-director Lana Wachowski’s part. Check out what Wachowski had to say below:
No, I didn’t [confirm The Matrix is a trans allegory].
Yeah, so that came from an interview I did for Disclosure. They had a bunch of Matrix questions. And the question they asked me was about Switch, who was originally written as a trans character who was male in the real world and female in the matrix. And they took that response and attached the question that everyone now references that it’s a trans allegory. And so it was slightly out of context, but I don’t sit here and put a stink up about it, because it is a trans allegory in that it was written by two closeted trans women. And so all of the things that are in it are super-duper trans. The idea of transformation, even the whole “My name is Neo, Mr. Anderson —” that idea of claiming identity, it’s undeniable.
Yeah, with all the decisions we made with that film, there’s just this burbling transness simmering below everything. So when I look back at the way that we cast those two parts, I can see how obvious it is that they’re one part in a lot of ways; that they’re two sides of the same coin. It’s not like these were conscious decisions, but more like we’re finding our way instinctively as these two closeted trans women. So all those things that your receptors are buzzing about are completely valid. When people say, “Oh, it’s a trans allegory,” it’s like, “Yeah… it is, but we weren’t like, Hey, let’s write a trans allegory.” That’s not how it started. We were like, “Hey, let’s write this action film,” and then we got our trans all over it. [laughs]