Along the same lines, from the same writer/creator, Armando Iannucci, there's The Death of Stalin. The absurdity of how the inner circle navigated the politics around Stalin, including after his death, is hilarious but also a good look at how these power dynamics work in an authoritarian, despotic government.
Or also from Iannucci, Avenue 5, which basically is set in the future where all of this political nonsense continues, and is in the background of a comedy about a space cruise ship.
I'd argue that emotions are a legitimate factor to consider in sentencing.
It's a bit more obvious with living victims of non-homicide crimes, but the emotional impact of crime is itself a cost borne by society. A victim of a romance scam having trouble trusting again, a victim of a shooting having PTSD with episodes triggered by loud noises, a victim of sexual assault dealing with anxiety or depression after, etc.
It's a legitimate position to say that punishment shouldn't be a goal of criminal sentencing (focusing instead of deterrence and rehabilitation), or that punishment should be some sort of goal based entirely on the criminal's state of mind and not the factors out of their own control, but I'd disagree. The emotional aftermath of a crime is part of the crime, and although there's some unpredictable variance involved, we already tolerate that in other contexts, like punishing a successful murder more than an attempted murder.