They couldn't get a headshot of PStew from his agency in time, they had to use a xeroxed publicity shot from "Dune"? The glowy glossy headshots were probably Telexed. If not, they had to be overnighted!
Joss Whedon did a remarkable job of this in Firefly. They had a big spinny analog with mechanical parts that could be fixed by one woman with wrenches. Never explained interplanetary travel, never had to explain it. When you saw the engine room, you knew exactly what you were seeing, because you filled in the spaces with your own imagination. Simple, satisfying, character-driven storyline. "Engine breaks" was the driving plot point of one episode and it was effective, because the crew didn't have time for technobabble. The ship was the deeply loved character in danger. They had to abandon her to save themselves. One part would fix her and they didn't have it available.
Beam in some collar stays for the gentlemen. That collar look less than crisp on Paris, like he sewed the tunics while grabbing a donut on the way to the event.
It's flattering! Really!