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InitialsDiceBearhttps://github.com/dicebear/dicebearhttps://creativecommons.org/publicdomain/zero/1.0/„Initials” (https://github.com/dicebear/dicebear) by „DiceBear”, licensed under „CC0 1.0” (https://creativecommons.org/publicdomain/zero/1.0/)O
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2 yr. ago

  • Yeah, it’s bullshit. The exterminations were generally known amongst the German public, particularly in the East. Mass executions were even broadcast live on the radio as early as 1941. The deportations left paper trails perfectly accessible to any interested member of the public, and forced labour from the camps became a common sight in public, and with it came the public beatings and summary executions at the hands of their SS overseers.

  • Surely thats a commemorative Jenga set

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  • Used to have hedgehog flavour crisps.

    • Urge to share weird hot takes in public long after their hit NBC shows left the airwaves
    • Eaned far more than they’re worth
    • Too much interest in high schoolers
    • Unwavering support for genocide
  • I just cannot imagine eating any pasta dish made from a box, and I’m a culinarily lazy fuck myself. There’s just so much effortless stuff to do with pasta before you stoop so damn low.

  • New Yorker. Property Developer. Scottish parent. Never had a fucking chance.

  • Elon Musk alt account

  • How would it do anything but the opposite of all that? For the majority of artists, they don’t break even on a release. Even most of those who do only do so long after 5 years have elapsed. If they’re really lucky, someone might come across a track a decade later and licence it for a TV show.

    So you’re advocating less money for artists, and the loss of their rights (and potential income) after 5 years. And you think that would encourage or foster new art?

  • So a label where artists have even fewer rights and protections than with any other label? Why would anyone go for that?

  • No middlemen. It’s up to the department heads and UPM to keep track of people.

  • While these are simply allegations, and Perlman herself was seemingly not interviewed for the book

    Like I said, crefit arbitration is automatic. Gunn wouldnt have the ability to remove someone’s writjng credit.

  • Not quite so much - credits aren’t exhausive or truly accurate, theyre “best efforts”. Employment is word-of-mouth. If you wanted the B-camera grip from a particular film, you’d know someone who’d know someone who’d know who that was, regardless of what credits might claim.

  • That’s a gross mischaracterisation. Credit arbitration is automatic whenever more than one writer or team are involved, or when a writer is also the director. There was no-one “suing” anyone.

  • He freaked out about masks because the HSE were in two minds about shutting down film production, and because of Cruise’s unique insurance setup it was effectively the only film in the world shooting at the time, everyone was waiting to see if it would be practical.

  • Find your nearest Kennedy

  • In Britain, two works have perpetual copyright:

    The King James Bible, copyright held by the Crown.

    Peter Pan, copyright bequeathed to Great Ormond Street Children’s Hospital (royalties only - GOSH have no right to refuse use).

  • Er, it makes it not a coup. Its an attempt.

  • He may be a complete piece of shit, but he can afford a crack PR team.

  • Man, when they learn to read they’ll be pissed.