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InitialsDiceBearhttps://github.com/dicebear/dicebearhttps://creativecommons.org/publicdomain/zero/1.0/„Initials” (https://github.com/dicebear/dicebear) by „DiceBear”, licensed under „CC0 1.0” (https://creativecommons.org/publicdomain/zero/1.0/)R
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3 yr. ago

  • That is literally adding insult to injury.

  • Something tells me this cat is never still enough to properly photograph.

  • Agreed that you should have some kind of "service" on your CV, but reviewing is pretty low impact. And if you want to review, you can choose something other than the predatory publishers.

  • Anyone who reviews for the major publishers is part of the problem.

  • I wouldn't do version control that way, but I've used Word to keep track of what I'm working on during integration tasks. It's nice because you can drop in code, error messages, and screen captures. E.g.: the tool looks like this: (image) but gives an error like this: (error message) and I think the problem is in file.py around lines XYZ: (code snippet) when I run the command (command used), and I think the answer is in (a couple links I found).

  • Members of Devo, Oingo Boingo, and Nine Inch Nails have each gotten into making soundtracks as well.

  • Eraserhead, Side B

    The album has been seen as presaging the dark ambient music genre, and its presentation of background noise and non-musical cues has been described by Pitchfork's Mark Richardson as "a sound track (two words) in the literal sense". -wikipedia

    The mood and tone of Eraserhead and its soundtrack were influenced by Philadelphia's post-industrial history. Lynch lived in the city while studying painting at the Pennsylvania Academy of Fine Arts, and was fascinated by its feeling of constant danger; describing it both as a "sick, twisted, violent, fear ridden, decaying place" and "beautiful, if you see it the right way."[8][9][1] Lynch and Splet used avant-garde approaches to recording on the soundtrack; including crafting almost every sound in the soundtrack from scratch using bizarre methods. The ambiance of the love scene in the movie, for example, was produced by recording air blown through a microphone as it sat inside a bottle floating in a bathtub.[10] Lynch and Splet worked "9 hours a day for 63 days" to produce the soundtrack and all of the sound effects in the film. Splet recalls the sound effects Lynch called on him to produce for Eraserhead as "snapping, humming, buzzing, banging, like lightning, shrieking, squealing” over the five years it took to produce the film and its soundtrack. -wikipedia

  • They set up a system so they can pay less to their workers, AND get their customers and workers to blame each other for it. They're scammers, not terrorists.

  • “Fish forget they live in water; people forget they live in the Tao” -Confucius?

  • Sometimes, that 0.00328084th of a football field makes all the difference in the world...

  • Spendthrift! Who's going to pay for all those trucks and blenders? We'll just jettison the bodies out of the lifepods and let the Desert Crabs eat them. We'll call it part of our "green" initiative. Of course we'll still keep the body transportation charges, and tack on a convenience fee. THINK OF THE SHAREHOLDERS!!!

  • The problem with using pureé’d people is the transportation cost. C'mon now, think of the shareholders.

  • Height in centimeters?

    Yeah, it's in centimeters. 158 cm is 0.000853132 and 188 is 0.00101512 in nautical miles, if that helps any.

  • But where do they get their nutrient paste?

    Nanotech-fabricated in corporate labs, delivered through underground pipes. The paste will flow, so long as they do their remote jobs (porn for the mother, bot farm management for the father, exposure to AI test output for the child.)